News and Reviews
- 02.04.18 | Marília Garcia’s The Territory Is Not the Map reviewed in Yellow Rabbits
- 02.04.18 | Soledad Marambio’s Chintungo reviewed in Yellow Rabbits
- 02.04.18 | Jacqueline Waters’s Commodore reviewed in 4 Square Review
- 02.01.18 | Written in the Dark featured in The New York Review of Books
- 02.01.18 | Mirtha Dermisache’s Selected Writings reviewed in The Paris Review
- 01.24.18 | Sho Sugita on Translating Hirato Renkichi’s Spiral Staircase on Poetry Foundation
- 01.23.18 | The Blind Man reviewed in Hyperallergic
- 01.12.18 | Marosa di Giorgio’s I Remember Nightfall reviewed in Publishers Weekly
- 01.06.18 | Mónica de la Torre’s The Happy End / All Welcome reviewed by Anselm Berrigan in Hyperallergic
- 01.03.18 | Brent Cunningham’s The Sad Songs of Hell reviewed in American Microreviews & Interviews
- 01.01.18 | Eleni Vakalo’s Before Lyricism reviewed on The Kenyon Review
- 12.30.17 | Constance DeJong’s Modern Love named one of the best books of the year by De Groene Amsterdammer
- 12.20.17 | Simone Kearney’s My Ida reviewed on Yellow Rabbits
- 12.20.17 | Holly Melgard’s Catcall reviewed on Yellow Rabbits
- 12.20.17 | Chukwuma Ndulue’s Boys Quarter reviewed on Yellow Rabbits
- 12.20.17 | Jeremy Hoevenaar’s Insolvency, Insolvency! reviewed on Yellow Rabbits
- 12.18.17 | The Blind Man reviewed by James Hoff
- 12.14.17 | The Blind Man named among Best Art Books of 2017 in The New York Times
- 12.11.17 | Igor Kholin’s Kholin 66 reviewed on Michael Dennis’s blog
- 12.11.17 | Holly Melgard interviewed about Catcall on Sex City Radio
- 12.10.17 | Hirato Renkichi’s Spiral Staircase reviewed on Open Stacks
- 12.01.17 | Brent Cunningham’s Sad Songs of Hell reviewed in Galatea Resurrects
- 11.28.17 | Constance DeJong’s Modern Love reviewed in Full Stop
- 11.21.17 | Emma Clayton interviews Constance DeJong about Modern Love